Pour Over Jazz
Sign in

Bethlehem session · in the studio

February 21, 1955

The Australian Jazz Quartet

NYC

In the room

The takes

What the numbers mean

Bethlehem numbered its masters by the tune; the take kept is the one that was issued.

Matrix · takeTitleFirst out on
–A Foggy DayBCP-1031
–Little Girl BlueBCP-1031
–Loose WalkBCP-1031
–The Girl With The Flaxen HairBCP-1031, BCP-84
–You Are Too BeautifulBCP-1031
–Lullaby Of The LeavesBCP-1031
–The Things We Did Last SummerBCP-1031
–Fascinating RhythmBCP-1031
8 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 7 albums

No.TitleLeaderYearWho
BCP-51Joe DeriseJoe Derise With The Australian Jazz Quartet1956Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6012The Australian Jazz Quintet At The Varsity DragThe Australian Jazz Quintet1956Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6015Australian Jazz Quintet + 1The Australian Jazz Quintet + 11957Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6022Selections Of Rodgers & Hammerstein Interpreted By The Australian Jazz QuintetThe Australian Jazz Quintet1958Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6029The Australian Jazz Quintet In Free StyleThe Australian Jazz Quintet1958Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6030Modern Jazz Performance Of Kurt Weill's Three Penny OperaThe Australian Jazz Quintet1959Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha
BCP-6038Blues VilleVarious Artists1960Dick Healey, Erroll Buddle, Bryce Rohde, Jack Brokensha