Pour Over Jazz
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Bethlehem session · in the studio

December 14, 1955

Max Bennett Quartet

NYC

In the room

The takes

What the numbers mean

Bethlehem numbered its masters by the tune; the take kept is the one that was issued.

Matrix · takeTitleFirst out on
–Taking A Chance On LoveBCP-50
–Sweet SueBCP-50
–BluesBCP-50
–S'posin'BCP-50
4 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 2 albums

No.TitleLeaderYearWho
BCP-48Max BennettMax Bennett Septet1956Max Bennett, Carl Fontana, Dave McKenna, Mel Lewis
BCP-6036Trombone BandstandVarious Artists1960Max Bennett, Carl Fontana, Dave McKenna, Mel Lewis

2 of them 11 albums

No.TitleLeaderYearWho
BCP-49Charlie Mariano PlaysCharlie Mariano Sextet1956Max Bennett, Mel Lewis
PJ-1221On StageThe Bill Perkins Octet1956Carl Fontana, Mel Lewis
BCP-6017Frances Faye Sings Folk SongsFrances Faye1957Max Bennett, Mel Lewis
BCP-6020Gene Norman Presents Mel Torme At The CrescendoMel Torme1957Max Bennett, Mel Lewis
C3544Coop!The Music Of Bob Cooper1958Max Bennett, Mel Lewis
PJ-1257The Sound Of Big Band Jazz In Hi-Fi!Various Artists1959Carl Fontana, Mel Lewis
BCP-6031Songs For Any TasteMel Torme1959Max Bennett, Mel Lewis
MG-36148More Vibes On VelvetTerry Gibbs1959Max Bennett, Mel Lewis
BCP-6035Fifteen Star SaxophonesVarious Artists1960Max Bennett, Mel Lewis
BCP-6038Blues VilleVarious Artists1960Max Bennett, Mel Lewis
BCP-6068Award Album - Jazz VocalsVarious Artists1962Max Bennett, Mel Lewis