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Bethlehem session · in the studio

May, 1956

The Pat Moran Quartet

Los Angeles, CA

In the room

The takes

What the numbers mean

Bethlehem numbered its masters by the tune; the take kept is the one that was issued.

Matrix · takeTitleFirst out on
–This Can't Be LoveBCP-6007
–A Foggy DayBCP-6007
–What A Difference A Day MakesBCP-6007
–Have You Met Miss JonesBCP-6007
–I Should CareBCP-6007
–Gone With The WindBCP-6007
–Somebody Loves MeBCP-6007
–The Best Things In Life Are FreeBCP-6007
–Sunday Kind Of LoveBCP-6007
–Medley: Spring Is Here / It Might As Well Be SpringBCP-6007
–Two Sleepy PeopleBCP-6007
–Pick Yourself UpBCP-6007
12 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 2 albums

No.TitleLeaderYearWho
BCP-6018While At BirdlandThe Pat Moran Quartet1957Pat Moran, Bev Kelly, John Doling, John Whited
BCP-6040A Jazz Version Of Highlights From The Opera: Porgy & BessMel Torme, Frances Faye1960Pat Moran, Bev Kelly, John Doling, John Whited

2 of them 1 album

No.TitleLeaderYearWho
V-8496Straight AheadThe Terry Gibbs Quartet1962Pat Moran, John Doling