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Bethlehem session · in the studio

April, 1957

The Pat Moran Quartet

NYC, March and

In the room

The takes

What the numbers mean

Bethlehem numbered its masters by the tune; the take kept is the one that was issued.

Matrix · takeTitleFirst out on
–Thou SwellBCP-6018
–Have You Met Miss JonesBCP-6018
–Lover ManBCP-6018
–Jor-duBCP-6018
–It Never Entered My MindBCP-6018
–Come Rain Or Come ShineBCP-6018
–I'll Be AroundBCP-6018
–Just Squeeze MeBCP-6018
–I Can't Get StartedBCP-6018
–Lullaby Of The LeavesBCP-6018
–I'll Remember AprilBCP-6018
–Mother MacreeBCP-6018
12 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

4 of them 2 albums

No.TitleLeaderYearWho
BCP-6007The Pat Moran QuartetThe Pat Moran Quartet1956Pat Moran, Bev Kelly, John Doling, John Whited
BCP-6040A Jazz Version Of Highlights From The Opera: Porgy & BessMel Torme, Frances Faye1960Pat Moran, Bev Kelly, John Doling, John Whited

3 of them 1 album

No.TitleLeaderYearWho
BCP-75Sam Most Plays Bird, Bud, Monk & MilesSam Most Orchestra1957Dick Meldonian, Sam Most, Oscar Pettiford

2 of them 5 albums

No.TitleLeaderYearWho
PR 7813Serge Chaloff And The Herdsmen · not on the site yetSerge Chaloff And The Herdsmen1949Earl Swope, Oscar Pettiford
BCP-18I'm Nuts About The Most....Sam That Is! - East Coast Jazz/9Sam Most1955Sam Most, Oscar Pettiford
LP 1286A Jazz Date With Chris ConnorChris Connor With Ralph Sharon's Orchestra1958Sam Most, Oscar Pettiford
BCP-79Jazz For Young Moderns (And Old Buzzards, Too)Tony Ortega1959Anthony Ortega, Nat Pierce
V-8496Straight AheadThe Terry Gibbs Quartet1962Pat Moran, John Doling