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Blue Note session · in the studio

February 5, 1941

Edmond Hall Celeste Quartet

Reeves Sound Studios, NYC

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
R3459AJamming In Four78 · 18, BLP 5026
R3460Edmond Hall Blues78 · 18, BLP 5026
R3461Profoundly Blue78 · 17, 45 · 45-1634, BLP 5001
R3461-2Profoundly Blue No. 2BLP 5026
R3462A-2Celestial Express78 · 17, BLP 5026
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 1 album

No.TitleLeaderYearWho
BLP 7007Jamming In Jazz · not on the site yetHall-DeParis Blue Note Jazz Men1952Edmond Hall, Israel Crosby