Pour Over Jazz
Sign in

Blue Note session · in the studio

July 17, 1945

Ike Quebec's Swing Seven

WOR Studios, NYC

In the room

The takes

2 of these 6 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN246-0I've Found A New Baby (alternate take)Not issued at the time · later on Mosaic MR4-107
BN246-1I've Found A New BabyBLP 5027
BN247-0I Surrender, DearBLP 5001
BN247-1I Surrender, Dear (alternate take)Not issued at the time · later on Mosaic MR4-107
BN248-1Topsy78 · 515
BN249-0Cup-Mute Clayton78 · 515
6 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 3 albums

No.TitleLeaderYearWho
MG 9013Tenor Sax Solos Volume 2Various Artists1952Ike Quebec, J.C. Heard
MG 9021Tenor Sax Solos Volume 3Various Artists1953Ike Quebec, J.C. Heard
MG-36049Volume II-Giants Of Jazz - The Jazz Greats: The Piano PlayersVarious Artists1956Buck Clayton, J.C. Heard