Pour Over Jazz
Sign in

Blue Note session · in the studio

May 31, 1946

John Hardee Sextet

WOR Studios, NYC

In the room

The takes

1 of these 5 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN284-1What Is This Thing Called Love78 · 520
BN285-1Nervous From The Service78 · 520
BN286-4River Edge Rock78 · 521
BN287-0Sweet And Lovely78 · 521, BLP 5001
BN286-5River Edge Rock (alternate take)Not issued at the time · later on Blue Note B-6507
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 2 albums

No.TitleLeaderYearWho
BLP 7007Jamming In Jazz · not on the site yetHall-DeParis Blue Note Jazz Men1952Jimmy Shirley, Sid Catlett
BLP 7012Jazz Band Ball · not on the site yetJames P. Johnson's Blue Note Jazz Men1953Jimmy Shirley, Sid Catlett