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Blue Note session · in the studio

April 11, 1954

Tal Farlow Quartet

Van Gelder Studio, Hackensack, NJ

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN554-3 · tk. 4TinaBLP 5042
BN555-1 · tk. 6SplashBLP 5042
BN556-1 · tk. 8Rock 'N' RyeBLP 5042
BN557-2 · tk. 12LoverBLP 5042
BN558-2 · tk. 15All Through The NightBLP 5042
BN559-1 · tk. 17FlamingoBLP 5042
6 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

3 of them 2 albums

No.TitleLeaderYearWho
BLP 5020New Faces-New SoundsGil Melle Quintet/Sextet1953Tal Farlow, Clyde Lombardi, Joe Morello
BLP 5033Gil Melle Quintet Vol. 2Gil Melle Quintet1954Tal Farlow, Clyde Lombardi, Joe Morello

2 of them 2 albums

No.TitleLeaderYearWho
MGN-19The Tal Farlow AlbumTal Farlow Quartet1954Tal Farlow, Joe Morello
MGN-1047The Tal Farlow AlbumTal Farlow Quartet1955Tal Farlow, Joe Morello