Blue Note session · in the studio
February 27, 1955
Gil Melle Quintet
In the room
- Gil Melle – baritone sax
- Don Butterfield – tuba
- Lou Mecca – guitar
- Billy Phillips – bass
- Vinnie Thomas – drums
The takes
What the numbers mean
BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.
tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.
On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.
| Matrix · take | Title | First out on |
|---|---|---|
| tk. 1 | Five Impressions Of Color: I. Spectrum Violet / II. Sea Green / III. Royal Blue / IV. Ebony / V. Spectrum Red | BLP 5063 |
| tk. 5 | Life Begins At Midnight | BLP 5063 |
| tk. 7 | Threadneedle Street | BLP 5063 |
| tk. 9 | Night Train To Wildwood | BLP 5063 |
Where it ended up
Together elsewhere
The other albums at least two of these players are on together.
4 of them 1 album
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
| BLP 5054 | New Faces-New Sounds | The Gil Melle Quartet Vol. 3 | 1954 | Gil Melle, Lou Mecca, Billy Phillips, Vinnie Thomas |
2 of them 2 albums
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
| PRLP 7040 | Melle Plays Primitive Modern | The Gil Melle Quartet | 1956 | Gil Melle, Billy Phillips | |
| PRLP 7063 | Gil's Guests | Gil Melle Quartet | 1956 | Gil Melle, Don Butterfield |
