Pour Over Jazz

Blue Note session · recorded live

November 3, 1957

Sonny Rollins Trio

Village Vanguard, NYC

In the room

The takes

4 of these 5 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 1Woody 'N YouRejected at the session
tk. 2A Night In Tunisia (afternoon take)BLP 1581
tk. 3I've Got You Under My SkinNot issued at the time · later on Blue Note BN-LA475-H2
tk. 4What Is This Thing Called LoveRejected at the session
tk. 5Old Devil MoonRejected at the session
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up