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Blue Note session · in the studio

September 28, 1958

The Three Sounds

Van Gelder Studio, Hackensack, NJ

In the room

The takes

3 of these 8 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 2Don't Get Around Much AnymoreNot issued at the time · later on Blue Note (J) BNJ-61019
tk. 4O Sole Mio45 · 45-1725, BLP 1600
tk. 7Blue Bells45 · 45-1725, BLP 1600
tk. 11Time After Time45 · 45-1726, BLP 4014
tk. 12Woody'n YouBLP 1600
tk. 14It Might As Well Be SpringNot issued at the time · later on Blue Note (J) BNJ-61019
tk. 16Goin' Home (alternate take)Not issued at the time · later on Blue Note (J) BNJ-61019
tk. 18Goin' Home45 · 45-1726, BLP 1600
8 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 1 album

No.TitleLeaderYearWho
BLP 4014Bottoms Up! · not on the site yetThe 3 Sounds1959Gene Harris, Andrew Simpkins, Bill Dowdy