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Blue Note session · in the studio

January 21, 1963

Freddie Roach Trio

Van Gelder Studio, Englewood Cliffs, NJ

In the room

The takes

1 of these 6 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 1Blues In The Front Room 45 · 45-1891, BLP 4128
tk. 8I Know 45 · 45-1890, BLP 4128
tk. 11Is You Or Is You Ain't My BabyBLP 4128
tk. 21Party Time 45 · 45-1892, BLP 4128
tk. 23Baby Don't You Cry BLP 4128
–Bird CallRejected at the session
6 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 1 album

No.TitleLeaderYearWho
BLP 4113Down To EarthFreddie Roach1962Freddie Roach, Kenny Burrell, Clarence Johnston

2 of them 3 albums

No.TitleLeaderYearWho
BLP 4158Good MoveFreddie Roach1964Freddie Roach, Clarence Johnston
BLP 4168Brown SugarFreddie Roach1964Freddie Roach, Clarence Johnston
BLP 4190All That's GoodFreddie Roach1965Freddie Roach, Clarence Johnston