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Blue Note session · in the studio

October 26, 1964

The Horace Silver Quintet

Van Gelder Studio, Englewood Cliffs, NJ

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
1454 · tk. 4The Kicker BLP 4185
1455 · tk. 9Que Pasa 45 · 45-1913, BLP 4185
1456 · tk. 16The Natives Are Restless Tonight BLP 4185
1457 · tk. 26Song For My Father 45 · 45-1912, BLP 4185
All 4 takes found on Spotify

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

3 of them 1 album

No.TitleLeaderYearWho
BLP 4220The Cape Verdean BluesThe Horace Silver Quintet Plus J.J. Johnson1965Horace Silver, Joe Henderson, Roger Humphries

2 of them 2 albums

No.TitleLeaderYearWho
PR 7401Jay Hawk TalkCarmell Jones1965Carmell Jones, Roger Humphries
BLP 4250The Jody GrindHorace Silver Quintet/Sextet1967Horace Silver, Roger Humphries