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Blue Note session · in the studio

December 3, 1965

Ornette Coleman Trio

Gyllene Cirkeln, Stockholm, Sweden

In the room

The takes

8 of these 11 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 1The BlessingRejected at the session
tk. 2Dee DeeRejected at the session
tk. 3Faces And PlacesNot issued at the time
1691 · tk. 4AntiquesBLP 4225
tk. 5DawnRejected at the session
tk. 6European EchoesRejected at the session
tk. 7The RiddleNot issued at the time
1692 · tk. 8Morning SongBLP 4225
tk. 9Snowflakes And SunshineRejected at the session
tk. 10Dee DeeRejected at the session
1693 · tk. 11DawnBLP 4224
11 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 1 album

No.TitleLeaderYearWho
BLP 4246The Empty FoxholeOrnette Coleman1967Ornette Coleman, Frank Wolff