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Blue Note session · in the studio

November 2, 1966

Horace Silver Quintet

Van Gelder Studio, Englewood Cliffs, NJ

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
1780 · tk. 2Mexican Hip DanceBLP 4250
1781 · tk. 9The Jody Grind45 · 45-1932, BLP 4250
1782 · tk. 16DimplesBLP 4250
3 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

3 of them 1 album

No.TitleLeaderYearWho
BLP 4220The Cape Verdean BluesThe Horace Silver Quintet Plus J.J. Johnson1965Horace Silver, Woody Shaw, Roger Humphries

2 of them 2 albums

No.TitleLeaderYearWho
BLP 4185Song For My FatherHorace Silver1964Horace Silver, Roger Humphries
BLP 4274Natural EssenceTyrone Washington1968Woody Shaw, Tyrone Washington