Pour Over Jazz
Sign in

Savoy session · in the studio

January 15, 1940

Varsity Seven

NYC

In the room

The takes

What the numbers mean

Savoy numbered its masters by the tune, and kept the takes: the figure after the dash is which take of that master it is.

Matrix · takeTitleFirst out on
US1284-1How Long, How Long BluesMG 15039
US1285-1Shake It And Break ItMG 15039
US1286-1A Pretty Girl Is Like A MelodyMG 15039
US1287-1Pom PomMG 15015, MG 15039
4 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 11 albums

No.TitleLeaderYearWho
PR 7633Coleman Hawkins And His All-Star Jam Band · not on the site yetColeman Hawkins And His All-Star Jam Band1937Benny Carter, Coleman Hawkins
MG-26019Holiday In TromboneVarious Artists1944Coleman Hawkins, George Wettling
MG-36013Midnight At Eddie Condon'sBud Freeman's All Star Orchestra1955Joe Sullivan, George Wettling
MG-36038Boning Up The 'BonesVarious Artists1955Coleman Hawkins, George Wettling
MG-36053Volume V-Giants Of Jazz - The Jazz Greats: BrassVarious Artists1956Coleman Hawkins, George Wettling
LP 1332Big Joe Rides AgainJoe Turner1960Coleman Hawkins, Joe Turner
A-12Further DefinitionsBenny Carter And His Orchestra1962Benny Carter, Coleman Hawkins
V-8539Norman Granz Presents Jazz At The Philharmonic In Europe (Volume 1)Jazz At The Philharmonic1963Benny Carter, Coleman Hawkins
V-8540Norman Granz Presents Jazz At The Philharmonic In Europe (Volume 2)Jazz At The Philharmonic1963Benny Carter, Coleman Hawkins
V-8541Norman Granz Presents Jazz At The Philharmonic In Europe (Volume 3)Jazz At The Philharmonic1963Benny Carter, Coleman Hawkins
V-8542Norman Granz Presents Jazz At The Philharmonic In Europe (Volume 4)Jazz At The Philharmonic1963Benny Carter, Coleman Hawkins