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Blue Note session · in the studio

January 31, 1945

Benny Morton's All Stars Featuring Webster & Bigard

WOR Studios, NYC

In the room

The takes

1 of these 5 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN219-0My Old Flame78 · 47, BLP 5001
BN220-0Conversing In Blue78 · 46, BLP 5027
BN221-0The Sheik Of Araby78 · 46
BN221-2The Sheik Of Araby (alternate take)Not issued at the time · later on Mosaic MR1-115
BN222-0Limehouse Blues78 · 47, BLP 5027
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 1 album

No.TitleLeaderYearWho
CL 637Lady DayBillie Holiday1961Benny Morton, Ben Webster