Blue Note session · in the studio
September 5, 1954
The Gil Melle Quartet
In the room
- Gil Melle – baritone sax
- Lou Mecca – guitar
- Billy Phillips – bass
- Vinnie Thomas – drums
The takes
What the numbers mean
BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.
tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.
On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.
| Matrix · take | Title | First out on |
|---|---|---|
| tk. 4 | Lullaby Of Birdland | BLP 5054 |
| tk. 8 | Ballade For Guitar | BLP 5054 |
| tk. 10 | Metropolitan | BLP 5054 |
| tk. 18 | Newport News | BLP 5054 |
| tk. 19 | Quadrille For Moderns | BLP 5054 |
| tk. 20 | Summertime | BLP 5054 |
Where it ended up
Together elsewhere
The other albums at least two of these players are on together.
The whole band 1 album
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
| BLP 5063 | Five Impressions Of Color | Gil Melle Quintet Vol. 4 | 1955 | Gil Melle, Lou Mecca, Billy Phillips, Vinnie Thomas |
2 of them 1 album
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
| PRLP 7040 | Melle Plays Primitive Modern | The Gil Melle Quartet | 1956 | Gil Melle, Billy Phillips |
