Prestige session · in the studio
July 27, 1956
Hank Mobley Quintet
In the room
- Hank Mobley – tenor sax
- Kenny Dorham – trumpet
- Walter Bishop – piano
- Doug Watkins – bass
- Arthur Taylor – drums
The takes
What the numbers mean
918 is a matrix number: Prestige gave every tune it recorded the next number in one running series. Most dates kept only the take that was issued, so there's seldom a take number beside it.
| Matrix · take | Title | First out on |
|---|---|---|
| 944 | These Are The Things I Love | PRLP 7082 |
| 945 | Message From The Border | PRLP 7082 |
| 946 | The Latest | PRLP 7082 |
| 947 | Xlento | PRLP 7082 |
| 948 | I Should Care | PRLP 7082 |
| 949 | Crazeology | PRLP 7082 |
6 takes · the ones we haven't matched yet are looked up on Spotify when you make it
Where it ended up
Together elsewhere
The other albums at least two of these players are on together.
3 of them 8 albums
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
| BLP 4325 | Horace Silver And The Jazz Messengers · not on the site yet | Horace Silver And The Jazz Messengers | 1954 | Hank Mobley, Kenny Dorham, Doug Watkins | |
 | BLP 5058 | Horace Silver Quintet (Volume 3) · not on the site yet | Horace Silver And The Jazz Messengers | 1955 | Hank Mobley, Kenny Dorham, Doug Watkins |
 | BLP 5062 | Horace Silver Quintet (Volume 4) · not on the site yet | Horace Silver And The Jazz Messengers | 1955 | Hank Mobley, Kenny Dorham, Doug Watkins |
 | BLP 1507 | At the Cafe Bohemia Volume 1 | The Jazz Messengers | 1956 | Hank Mobley, Kenny Dorham, Doug Watkins |
 | BLP 1508 | At the Cafe Bohemia Volume 2 | The Jazz Messengers | 1956 | Hank Mobley, Kenny Dorham, Doug Watkins |
 | BLP 1518 | Horace Silver and the Jazz Messengers | Horace Silver | 1956 | Hank Mobley, Kenny Dorham, Doug Watkins |
 | PRLP 7048 | 4, 5 And 6 | Jackie McLean | 1956 | Hank Mobley, Doug Watkins, Arthur Taylor |
| PRLP 7073 | All Night Long | Donald Byrd, Jerome Richardson, Kenny Burrell, Hank Mobley, Mal Waldron, Doug Watkins, Art Taylor | 1957 | Hank Mobley, Doug Watkins, Arthur Taylor |
2 of them 18 albums
| No. | Title | Leader | Year | Who | |
|---|---|---|---|---|---|
 | BLP 5065 | Afro-Cuban · not on the site yet | Kenny Dorham | 1955 | Hank Mobley, Kenny Dorham |
 | BLP 5066 | Hank Mobley Quartet · not on the site yet | Hank Mobley Quartet | 1955 | Hank Mobley, Doug Watkins |
 | BLP 1539 | 6 Pieces of Silver | Horace Silver | 1956 | Hank Mobley, Doug Watkins |
| PRLP 7035 | Lights Out! | The Jackie McLean Quintet With Donald Byrd And Elmo Hope | 1956 | Doug Watkins, Arthur Taylor | |
 | PRLP 7046 | Pairing Off | Phil Woods Septet | 1956 | Kenny Dorham, Doug Watkins |
 | PRLP 7060 | Hi Fi Jam Session | Gene Ammons All Stars | 1956 | Doug Watkins, Arthur Taylor |
 | PRLP 7061 | Mobleys Message | Hank Mobley Quintet, Quartet, Sextet | 1956 | Hank Mobley, Doug Watkins |
 | BLP 1535 | Afro-Cuban | Kenny Dorham | 1957 | Hank Mobley, Kenny Dorham |
 | BLP 1544 | Hank Mobley and His All Stars | Hank Mobley | 1957 | Hank Mobley, Doug Watkins |
 | BLP 1550 | Hank Mobley Quintet | Hank Mobley | 1957 | Hank Mobley, Doug Watkins |
 | PRLP 7081 | All Day Long | Frank Foster, Donald Byrd, Kenny Burrell, Tommy Flanagan, Doug Watkins, Art Taylor | 1957 | Doug Watkins, Arthur Taylor |
 | PRLP 7083 | Funky: Hi-Fi Jam Session | Gene Ammons | 1957 | Doug Watkins, Arthur Taylor |
| PRLP 7087 | Jackie McLean & Co. Introducing Ray Draper & Tuba | Jackie McLean & Co. Introducing Ray Draper & Tuba | 1957 | Doug Watkins, Arthur Taylor | |
 | PRLP 7114 | Alto Madness | Jackie McLean/John Jenkins | 1957 | Doug Watkins, Arthur Taylor |
| PRLP 7119 | 2 Guitars | Kenny Burrell, Jimmy Raney With Byrd, McLean, Waldron, Watkins, Taylor | 1957 | Doug Watkins, Arthur Taylor | |
 | PRLP 7131 | Wheelin' & Dealin' | Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, Arthur Taylor | 1958 | Doug Watkins, Arthur Taylor |
 | PRLP 7146 | Blue Gene | Gene Ammons | 1958 | Doug Watkins, Arthur Taylor |
 | PRLP 7180 | Gene Ammons Quintet | Gene Ammons Quintet | 1960 | Doug Watkins, Arthur Taylor |